I stopped by Philadelphia to say hello to 2009 for a few hours and did some drawings of Will. He's the one on the left. (Click for a larger version).
Sunday, January 4, 2009
Will Records In The New Year
I stopped by Philadelphia to say hello to 2009 for a few hours and did some drawings of Will. He's the one on the left. (Click for a larger version).
Friday, December 5, 2008
THIS SATURDAY FOR REAL AT THE FIRE ALL AGES WITH THE ARMCHAIRS AND TOY SOLDIERS ALL AGES ALL EXPENSES PAID
Will: on bass
Gretchen: on violin
Rick: on guitar
Kyle: on drums
Paul Rodgers: vocals
Which will be interesting and vastly entertaining. Speaking of vastly, I just came across this fabulous old interview with Rick, Will and Doug from the banner year of 2006:
THIS IS THE LINK TO THE INTERVIEW SO CLICK IT
I really loved this couple and their podcast. I also love Doug and Will. And goodness knows I love promoting things that are three years old. So there you have it, a little blast from the past.
Wednesday, December 3, 2008
TFS Sketchbook
I drew this page while waiting for Rick to get out of work - we spent the next five days or so drawing and brainstorming art ideas for the album, getting sick, drinking with Will at his house, walking around with Gretchen, shadow-boxing Harpo, watching the Concert for Bangladesh, etc... until it was time for me to get back on the train to Virginia.
Wednesday, November 26, 2008
The Illustrious Career Of Nick Krill, Famous Musician and Mix Master of Our Album
And if you're anything like me, then Nick Krill used to live upstairs from where you made your album. He doesn't live there anymore (we've turned his room into an aquarium), but when he did it was pretty great because he was able to mix the entirety of The Farthest Shore and I didn't have to go anywhere except up some stairs in order to tell him to turn up my guitar. And he really did do an amazing job; if you ever heard the original mixes that I did of these songs you would run out of the dance club screaming your head off.
So I asked Mr. Krill to talk about some of the projects he has worked on over the course of his career in Music. Of course, Nick is known the world over (and over) for being in The Spinto Band, but here we'll focus on his yeoman work as recordist, engineer, and mixer.
The Rude Staircase "Sookie Jump" - engineer
i helped engineer this album way back in college. i met the singer, lynn, through mutual friends and ended up helping with almost all of the overdubs and some of the basic tracking...all in a combination of studios ranging from college stairwells to the wonderful inner ear recording. it was a pretty great experience for a youngster because the band would give me instructions like, "i want this vocal to sound like a half inch tall person is singing it inside your ear canal."
Walker Lundee "40 Love" - co-producer, engineer
these guys are a really fun pop outfit that invited me to share an amazing warehouse space in philadelphia. the recording space also had a skate ramp in it, and between takes i learned how to ride a half-pipe....although i never made it more that about halfway up the dog-gone ramp.
The Teeth "You're My Lover Now" - mixing
rest in peace teeth. it was an honor to work with these fellas. all of this was mixed in the drummer jonas' spare bedroom. when i was done mixing we packed up the whole mini mobile studio into his roommates thirty year old VW beetle and drove it back to my house.
And the Moneynotes "new cornucopia" - mixing
one of scranton PA's finest. this was a lot of fun to mix because while the skeletons of the songs and nice old time rock n' roll tunes or odd sailor type chants and gypsy music, the songs had a great deal of odd ball sounds going every which way. it was also interesting, and sometimes challenging to mix as the style of recordings varied
from song to song. some were live on a four track, some were built up with overdubs, some were the whole band pounding away as a full group.The Minor White "Old Theatrics" - producer, engineer, mixer
another great scranton group. these fellas are an amazing stew of the beatles, wilco, and television. seeing as the aesthetic of all these groups have all been an influence on my recording ears at one time or another it was really fun to make some recordings influenced by all three.National Eye - "The Farthest Sewer" - mixing
hey rick, remember when you emailed this to me asking if i wanted to rent a room in your house: "You'd probably end up producing our next album just because you'd be there." dreams do come true. i was able to hear a lot of these songs while they were recorded and rehearsed as they seeped up through the floor boards and heating ducts. when i finally heard the full versions blare over my loudspeakers i was on cloud nine. kind of crazy....the music was played in the basement, recorded on the first floor, and mixed on the third floor.....good effort house.
Friday, November 21, 2008
The Free Farthest Shore Streaming Album Player Is Here
In other words, if you haven't found it within you to purchase the album by National Eye called The Farthest Shore -- if you're still uncertain that it will be the dynamondo-est listening experience you'll have this whole year (whale songs excepted), then you can dip your toes into it with this lovely thing which plays the whole album and shows you some neat pictures and looks deep down into your blouse -- all for the price of nothing!
CLICK ON THESE WORDS TO GO TO THE NATIONAL EYE FARTHEST SHORE STREAMING ALBUM PLAYER.
Thanks and compliments are owed to Corey Watson for the layout and techwork. Cash and favors are owed to Jeff Love for the artwork.
Oh also: I'm excited to get back to blogging. I threw out my shoulder and my pencil last furlough and haven't had a chance to talk about a great many things. Needles to say, NE is firing on all (four thousand seven hundred fifty twelve) cylinders, recording and laughing, and much news is to come. See you then.
Monday, November 10, 2008
Thursday, November 6, 2008
Call Off The Revolution! Everything's Cool! Plus: Another Demo of a TFS Song from the NE Lab's Rubbish Bin
What I'm talking about is not merely an old man assuming the presidency, but a steely-eyed repudiation of liberty itself by forces hitherto unimagined in this nation. So I did what any sane person would do, I took to the mountains. Not to escape, mind you, but to regroup and fortify and launch the effort to reclaim freedom. And also to hike:
Well, you can imagine my relief when I stopped in the General Store at the foot of Mt. Foom (for supplies: eggs, milk, "fruit leather," paper towels) and saw a newspaper that said "GOOD PREVAILS" and so we excitedly packed our stuff and headed on back to the city.
Which is why posting has been light. Needless to say we're all thrilled to have found ourselves in this new age of hope and palpable relief, even if running around the woods with dogs and waterfalls is pretty nice. But it's time to ENGAGE, and the only place to do that is back at NEHQ in Philadelphia. Which is where this demo of Eva the Atom-Smasher was recorded way, way back.
Many of you know this song in the key of D (as it is on the album) but this one's in E flat. For you non-music scholars, that means I had a capo on the guitar for no discernible reason other than to make it slightly more difficult to play on most instruments.
Enjoy, and don't forget these fun demos for Several Beaches and Effortless Plane from past excursions into the Land of Lazy Low Fidelity.
(Rugged Mountain Man Picture credit: Gretchen Lohse)Tuesday, November 4, 2008
Tom Cruise Inspired By National Eye Song
This movie was inspired by the song "Abwehr" from National Eye's album "Roomful of Lions".
Thursday, October 30, 2008
Friday, October 24, 2008
Pure Film
Thursday, October 23, 2008
Richard's Music Criticism Corner
Attention irony fans: this record by producer-turned-singer-turned-actor-turned-tugboat captain-turned-singer Michael Jones features NO PIANO, despite the piano you can see quite well with your own eyes right there on the cover. But this album could be called "Living Room" just as easily as "Living Music" because your living room is the perfect place to put it on and LISTEN. Rating: hhhh
Tuesday, October 21, 2008
Don't Wait for the Box Set!!: Part Two In Our Unearthing of Crummier-Sounding Versions of Songs From The Farthest Shore (Doot-Doot-Doo Edition)
Now that the album has been available for a full week, it makes (marginally) more sense to throw some more crummy demo versions at you. That way, you can sit down and carefully notice all the interesting musical things that can happen between Conception and Reality (i.e. demo version vs. final album track). It's a mystical journey every time, I assure you.We've already offered up the demo for Effortless Plane, which was pretty darn different from the album version -- a fact not lost on our readers. Here's what some of you had to say:
"This is a much slower version of this song than the one on the album. Is there something wrong with my VCR?"
Linda Winston, Des Plaines, IL
"where r the drums?!?"
Edmund Softel, Battersea, London
"I have to agree with bombdroppa99: mit Sicherheit eine (längst bekannte und zugängliche) Bereicherung für ihre Studien, als Projekt ohne echte Angabe von Gründen oder Nutzen und als bloße Quelle für sinnlose Verlinkungen: eine."
Andy Conroy, Nebo, KY
"Hey Caruso, ever heard of singing lessons? Just kidding! Call me."
Admiral Cornelis Cruys, Taganrog
Good points, all. But let's move on already!
Our next primordial offering is the song Several Beaches, presented here without the benefit of Gianmarco's drums, Will's bass, Josh Newman's guitar, Doug's backups, Charlie Hall's electric piano, or decent lead vocals. Nevertheless, fans of accidental tube distortion and mid-song coughing will not be disappointed!
In other words: COMPLETISTS ONLY!
[Also included above: another great page from Jeff Love's Farthest Shore. This one looks beach-related so it feels appropriate.]
Monday, October 20, 2008
National Eye's Extracurricular Activities: The Lohse Session 10/18
Friday, October 17, 2008
Absolute Carnage at the American Swedish Historical Museum
4:55: We peruse the Lego exhibit for "inspiration" on the advice of one of the Museum staff. Nathan Sawaya's sculptures in Lego are actually cool as all get-out, but this is a serious contest and we must hurry back to the table. Pictured below is one of his pieces.
5:01: There's nothing like looking at a crate full of Lego to drive a stake through your heart when you know you have less than three hours to make something out of it that's impressive enough to defeat the likes of The Sw!ms, The Brakes, and the Spinto Band, all of whom outnumber us and have a time-lead of a good half hour. We are determined to vanquish, however, and so we begin.
5:30: Things're looking grim. Some cheating heel has removed all of the army-fatigue-green pieces from our supply, nixing my idea for a bust of Fidel Castro. I have overconfidently left my "Hornik's Ultimate Lego Guide" at home, and we need ideas FAST. Gianmarco and Will are still AWOL.
5:39: Gretchen has hit upon the inspired idea of a dramatic 3-D depiction of The Voyage of the Vessel Vetrovka, based on Royko Fleming's famous epic poem. It's incredibly ambitious, but we didn't come here to play with toys. We came to win.
5:57: I run over on a recon mission to see what the Brakes and the Spintos have cooking. They are looking impressive, so I "accidentally" cut the power on their side of the building. For 12 minutes, they are literally building blind.
6:13: Brian from the Sw!ms suggests the lingenberry juice. Luckily, both Gretchen and I are on a strict no-juice cleansing regimen and decline his offer. It is later revealed the pitchers were spiked with dihydromorphinone hydrochloride. Several Spintos and one small child are now passed out in a wooden boat in the Viking exhibit.
6:55: Giamarco arrives. We put him directly to work on the optical illusion portion of the sculpture. He succeeds brilliantly: it looks exactly like what we wanted it to look like.
7:20: Judgment time draws near. Jon Eaton of the Spinto Band recommends a colonial era painting on display on the second floor, but is immediately escorted out of the building. My hull has just completely crumbled before my very eyes due to a poorly-constructed lego foundation. There apparently is video of me weeping over a plate of meatballs.
7:32: The Sw!ms have created a smorgasbord (Swedish!) of weird objects including a sword stabbing a burger and an elephant in a wheelchair. And an airplane, which is hard to do with legos unless you have directions. Spinto have created a gruesome and gory scene, with some kind of Revelation-style beast laying waste to a whole village of infidels. I always knew those guys were fanatics. Meanwhile, The Brakes have created a highly elaborate and fully-operational attack ship out of some deranged sci-fi nerd's worst nightmares. We have nearly fulfilled the promise of Gretchen's vision, but it takes Will's eleventh-hour arrival to complete the piece with touches of grace and beauty. Judges are already looming, taking pictures, jotting notes, being extremely pleasant. I have sweated through my fourth shirt.
8:00: The Awards Ceremony. Moment of truth. And the truth is... Everybody wins! The Sw!ms especially win but also everybody wins. I feel relief that the conclusion wasn't too vicious but then again this was always about getting people to visit the really great exhibit at the Swedish Historical Museum, not glory.
All in all, a lovely evening. I couldn't recommend the museum more, it's really nice and located in that lovely park down by all the stadiums on Pattison Ave. So don't go there during a game, but do go there.
Oh the things we do for music!
Gianmarco Cilli: A Man In Full

Thursday, October 16, 2008
"The Farthest Shore" Listening Competition
Tonight: Weirdest Event Ever (LEGO BATTLE)
Meanwhile, The Children's Television Workshop refuses to commit to this great idea we had about an island amusement park featuring furry creatures and loud guitar music. (Apparently the folks at CTW hate the notion of making millions of dollars.)
So when a promotional opportunity comes along and all the pieces fall into place it's a Very Special Thing and that V.S.T. is called "synergy" -- a word that combines the Greek root "syn" which means "together" and the Latin-American "ergy" which means "good timing."
Which brings us to tonight's synergical event where members of National Eye compete in a no-holds-barred competition against The Spinto Band, the Sw!ms, and The Brakes for Lego-Building Supremacy.
I'm just kidding. Wait, no I'm not! We really are doing a Lego-off with a bunch of other bands! Tonight at the American Swedish Historical Museum in South Philadelphia!
The Spintos are of course also in the midst of a whirlwind promo binge in support of their great new album Moonwink. You'll hear music by all these bands tonight at this crazy event but not played live because we'll all be too busy making our insane Lego stuff.
And don't tell the other bands, but I've already drawn up plans for what we're gonna build and between you and me and the moon, WE ARE GOING TO WIN.
Wednesday, October 15, 2008
The Unrelated To Our New Album Department Presents: A Really Great Live Song By National Eye!
But yeah, so I thought I'd change things up a little bit with this nifty recording from a while back where we played in Atlanta, Georgia (birthplace of Candice Bergen) at a place called The Earl (birthplace of Earl Palmer, drumming brother of Carl). I think this was on tour for The Meter Glows, if you can believe that! Or maybe it was just for fun.
At any rate, fun is what we had, as you can tell by this F-U-N rendition of the song "Between Sleep and Sleep" which was written by Jeff Love and would often feature him throwing his guitar down and doing "moves" in front of the stage to the delight of our Southern fans.
So here it is. Don't forget to enjoy the heck out of it!


