And if you're anything like me, then Nick Krill used to live upstairs from where you made your album. He doesn't live there anymore (we've turned his room into an aquarium), but when he did it was pretty great because he was able to mix the entirety of The Farthest Shore and I didn't have to go anywhere except up some stairs in order to tell him to turn up my guitar. And he really did do an amazing job; if you ever heard the original mixes that I did of these songs you would run out of the dance club screaming your head off.
So I asked Mr. Krill to talk about some of the projects he has worked on over the course of his career in Music. Of course, Nick is known the world over (and over) for being in The Spinto Band, but here we'll focus on his yeoman work as recordist, engineer, and mixer.
The Rude Staircase "Sookie Jump" - engineer
i helped engineer this album way back in college. i met the singer, lynn, through mutual friends and ended up helping with almost all of the overdubs and some of the basic tracking...all in a combination of studios ranging from college stairwells to the wonderful inner ear recording. it was a pretty great experience for a youngster because the band would give me instructions like, "i want this vocal to sound like a half inch tall person is singing it inside your ear canal."
Walker Lundee "40 Love" - co-producer, engineer
these guys are a really fun pop outfit that invited me to share an amazing warehouse space in philadelphia. the recording space also had a skate ramp in it, and between takes i learned how to ride a half-pipe....although i never made it more that about halfway up the dog-gone ramp.
The Teeth "You're My Lover Now" - mixing
rest in peace teeth. it was an honor to work with these fellas. all of this was mixed in the drummer jonas' spare bedroom. when i was done mixing we packed up the whole mini mobile studio into his roommates thirty year old VW beetle and drove it back to my house.
And the Moneynotes "new cornucopia" - mixing
one of scranton PA's finest. this was a lot of fun to mix because while the skeletons of the songs and nice old time rock n' roll tunes or odd sailor type chants and gypsy music, the songs had a great deal of odd ball sounds going every which way. it was also interesting, and sometimes challenging to mix as the style of recordings varied
from song to song. some were live on a four track, some were built up with overdubs, some were the whole band pounding away as a full group.
The Minor White "Old Theatrics" - producer, engineer, mixer
another great scranton group. these fellas are an amazing stew of the beatles, wilco, and television. seeing as the aesthetic of all these groups have all been an influence on my recording ears at one time or another it was really fun to make some recordings influenced by all three.
National Eye - "The Farthest Sewer" - mixing
hey rick, remember when you emailed this to me asking if i wanted to rent a room in your house: "You'd probably end up producing our next album just because you'd be there." dreams do come true. i was able to hear a lot of these songs while they were recorded and rehearsed as they seeped up through the floor boards and heating ducts. when i finally heard the full versions blare over my loudspeakers i was on cloud nine. kind of crazy....the music was played in the basement, recorded on the first floor, and mixed on the third floor.....good effort house.